| Su | Mo | Tu | We | Th | Fr | Sa |
|---|---|---|---|---|---|---|
| 26 | 27 | 28 | 29 | 30 | 31 | 1 |
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 1 | 2 | 3 | 4 | 5 | 6 |
After the resounding success of Volume 1 (Gramophone Editor’s Choice, Preis der Deutschen Schallplattenkritik, Diapason d’Or, Choc de Classica, FFFF Télérama), the project to record the complete Sibelius symphonies continues with the Gothenburg Symphony Orchestra and Santtu-Matias Rouvali, whose career as a conductor is entering top gear: he has just been appointed Principal Conductor of the Philharmonia Orchestra in London. At the turn of the twentieth century, as Finland struggled to free itself from Russian rule, Sibelius and his wife faced several domestic dramas, including the loss of one of their daughters, Kirsti, to typhoid fever.
The 18th century was the golden age of the mandolin. The ensemble Artemandoline presents world premiere recordings of forgotten masterpieces written in Florence and Rome for mandolin and basso continuo. A music full of energy, beauty and virtuosity.
Catherine Gayer makes a spirited, fresh sounding Adonis and Brigitte Fassbaender as Venus is superb throughout; Venus's ''Augelletti, si cantate'' has an almost irresistible allure and her radiant duet with Adonis at the conclusion of the work is something to treasure. The instrumental accompaniment is excellent of its kind and of its vintage, with a notable contribution from Hans-Martin Linde on the sopranino recorder. This is, in a word, enlightened music-making which brings a ravishing score to life affectionately and convincingly. Excellent recorded sound and a considerable adornment to Archiv Galleria's otherwise arbitrary and mainly disappointing selection of reissues.