Limited numbered edition of 5000 copies. AAA cut from the original stereo master tapes by Kevin Gray. Pressed on 180-gram heavyweight vinyl at Optimal. Heavyweight glossy gatefold jacket. Features an exclusive insert with new liner notes from original producer Chris Thomas.

“Thank You Kirin Kiki came together after months of working alone in my small bedroom, layering a million keyboard sounds until it finally made sense to me. Last February, I got out of that room and walked into Luxor Live in Arnhem with a group of incredible musicians and a recording crew. That day, something shifted.

Catalina Bertucci (soprano), Georg Poplutz (tenor), and Tatjana Dravenau (piano) don’t just say it „between the flowers“ on their new GENUIN album – they gather lieder from the 19th and 20th centuries that revolve around the theme of flowers and trees. Music and poetry speak directly and clearly of the associations between the language of love and the plant world – associations that were clear and unmistakable to people of the Romantic era, but which must be decoded anew for us today. These three remarkable artists uncover that hidden language in the most beautiful and sensuous way: through dreamlike interpretations of lieder from Schubert to Schonthal, Loewe to Faltis, and Kralik to Schumann.

An organ concerto that you want to hear again as soon as the last note has faded away – Austrian composer Bernd Richard Deutsch (born 1977) achieved this with his monumental four-movement work “Okeanos” for organ and orchestra (2014/15).

After over a decade of creating music together, Paul Klein and Jake Goss — together making the musical project known as LANY — are gearing up to release their “softest” musical effort yet. This Friday, the duo will release Soft, their sixth full-length studio album, through their own label, Sunset Garden, and Virgin Music Group.

All tracks performed by Inger Hannisdal (violin on all tracks, hardanger fiddle on 10, Tascam 414 portastudio and cassettes on 1, 3, 4, 6, 8, 9, 10).

Christopher Willits presents New Moon, his first new album since 2022’s Gravity and his 7th for Ghostly International in nearly 20 years.

The use of boys’ voices in performances of Bach’s sacred works is not solely for historical authenticity. Especially just before their voices change, well-trained boy singers possess a captivating tonal perfection—both mysterious and fragile—that carries with it a sense of vulnerability and the foreboding of imminent farewell.

The life of a psychonaut can take one to many plateaus of reality. Opinions vary as regards which of these are either desirable or optimal. All things considered though, it’s fair to say that once the average cerebral wanderer finds themselves a stoned skeleton on a motorbike, it’s a sign that they’re going places.

Compositional shadow play, philosophical unfolding: the piano études by Pascal Dusapin are far more than technical studies for aspiring pianists. Pianist Wataru Hisasue now releases a GENUIN album with works by Dusapin. Hisasue was not only successful at the 2025 Queen Elisabeth Competition in Brussels but also received a special award at the ARD Music Competition for his interpretation of Dusapin’s „Did it again“, which he now presents here as a world premiere recording. The young pianist devotes himself to the oscillating, almost magical sonic ramifications of the French composer at the highest technical and tonal level. A must-hear!

Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family recordings form the backbone of its delicate textures. Asmar explores the peculiar resonance of the metallophone and her collection of deconstructed toy pianos, and guides her music into ever more surreal territories. The result is a work that is dreamlike, fragmentary and strangely timeless.

Playing it cool like it’s 1974 – but sounding like 2025. Prepare to step into a parallel universe of groove-soaked funk and cinematic flair: Seoi Nage will release their debut album No Retreat, No Surrender on October 10.

The French subtitles only concern the songs and not the singer's interventions between them. Present titles: - The idol of young people - I was born on the street - My little wolf - I would be there - Medley (Not this song, When the night comes back, Remember the night, If I were a carpenter)

What really happened during those long summer days in Leipzig, when master lutenist Silvius Weiss visited the home of Johan Sebastian Bach? Improvisational duels of excellence, or a more relaxed musical dialogue between friends?

Revolution is the eighth studio album by German gothic metal band Crematory. It was released on 3 May 2004 through German record label Nuclear Blast. The album was their first release after the band's three year dissolution.