After 15 years of propelling herself to key-player status in the scene of global techno, Belgian DJ and producer Charlotte de Witte presents her eponymous debut full-length album. Released on her own KNTXT imprint, the 11-track LP serves as both a consolidation of her club dominance and a tightly controlled showcase of her sonic identity. This is straight-ahead techno: propulsive, acid-laced, and engineered with clinical precision. Tracks like “The Realm,” “No Division (feat. XSALT),” “Vidmahe,” “Memento Mori,” and “Become,” deliver muscular grooves that fit comfortably into the current techno blueprint. They are flawlessly produced and effective on the dance floor, though they rarely stretch beyond genre convention. Charlotte de Witte herself has described the project as a “true DJ album,” and it succeeds squarely on those terms.

Simplicity, wistfulness, fragility: these are his music’s characteristics, and the veteran British pianist Paul Crossley cherishes them with the precision and tenderness expected of someone.

Izabella Simon, pianist, graduated at the Franz Liszt Music Academy in Budapest as a student of György Kurtág, Ferenc Rados, Jenő Jandó and Sándor Falvai.

FINGER ELEVEN enthusiastically completed their first new studio album, LAST NIGHT ON EARTH, in a decade, primed for a November 7th release via Better Noise Music. The band has always amalgamated their musical influences from the 1960s forward into their rock mix. They acknowledge that Phil Collins and Genesis were a big melodic influence on LAST NIGHT ON EARTH. And the new tunes explore time-honored FINGER ELEVEN concepts with fresh twists. While "Adrenaline" is a rousing, intense anthem about pushing forward against adversity, "Blue Sky Mystery," featuring Richard Patrick from Filter, is another hard-hitting rocker about being beguiled by something just out of reach. Further into the album, "The Mountain" rides musical peaks and valleys in its quest to chase the song, about the creative process expressed in a fantasy setting. Then there is the acoustic number "Last Night On Earth," which tackles relationship turmoil. It's the most personal new track for frontman Scott Anderson.

TWICE AS MUCH were a UK vocal duo – Dave Skinner and Andrew Rose – often compared to their more successful US counterparts Simon & Garfunkel. Their signature lush harmonies and accomplished songwriting skills attracted the attention of maverick indie record executive Andrew Loog Oldham who signed them to his fledgling Immediate Records. Their debut single in May 1966 was a cover of the Rolling Stones’ “Sitting On A Fence” which features here as the opening track to That’s All. The album stands apart from its contemporaries at Immediate due, in no small part, to its heavily orchestrated “wall-of-sound” production and the dazzling harmonies. It’s a fine example of baroque inspired sunshine pop from the feel-good summer of ’66 when Great Britain captured the imagination of the world. A polished and significant album earning its place as an official Immediate 60th Anniversary reissue.

We continue our exploration of Carlo Maria Giulini's discographic legacy, recently remastered in high resolution, with one of his most famous recordings: these superb renditions of French music in which the Philharmonia Orchestra shines brightly.

Kali Malone and Drew McDowall present Magnetism, their first collaborative album born from a decade-long friendship and ignited by a single day of creative synergy. When Malone stepped into McDowall’s Brooklyn home studio, a shared vision immediately took root and set the course for a remarkable collaboration between these two singular artists. On Magnetism, Malone’s poignant and evocative melodies manifest through McDowall’s signature timbral synthesis, creating a unified voice that soars freely and radiates with vitality. Technically, the duo employs an exquisite blend of Karplus-Strong synthesis, distortion and just intonation. Kali and Drew embrace these tools with refined grace while moving fluidly within their musical framework. Charged by the magnetic pull of repetition, saturation, and resonance, Magnetism pulses as a living music that captivates the senses and lingers long in the mind after the final notes fade.

Christmas Wishes is a seasonal studio album by Canadian country music artist Anne Murray. It was Anne's first Holiday recording, released by Capitol Records in 1981. The disc peaked at #34 on the Billboard Top Country Albums chart. It stands as one of Anne's biggest-selling career albums, earning double platinum certification from the RIAA. At the time of its deletion, it had sold nearly 3 million US copies.

In celebration of the 30th anniversary of Fools Garden’s sophomore album, Dish of the Day, this new edition contains the original remastered album along with exclusive bonus tracks, live recordings and demos from 1995.

The Ariel Quartet (Alexandra Kazovsky, violin; Gershon Gerchikov, violin; Jan Grüning, viola; and Amit Even-Tov, cello) – distinguished by its virtuosity, probing musical insight, and impassioned performances – will release the complete Beethoven String Quartets over two years on the Orchid Classics label, culminating in 2027, the 200th anniversary of Beethoven’s death. The Quartet released the first volume of the series on April 4, 2025, and will release volume two on November 7, 2025, with volume three arriving in June 2026 and a special box set release in March 2027.

Venice – the ‘incomparable city, the most beautiful queen, this paradise’ – is how the Englishman Thomas Coryat describes the lagoon city that deeply impressed him on his trip to Europe in 1608. But in addition to the architecture, the canals and the people from a wide variety of cultures, it was the music in particular that fascinated Coryat: ‘It was so beautiful, so delightful, so unique, so admirable, so unsurpassable that it enchanted and amazed all the strangers.’

This album features four Austrian composers from the late 19th to the early 20th century: Alban Berg, Arnold Schoenberg, Franz Schreker, and Erich Wolfgang Korngold.

Khruangbin have re-recorded their debut album, once a cult classic, now to be known as The Universe Smiles Upon You ii. The recording reinvents the familiar songs, bringing the band’s masterful live show and a decade of touring the world to this genre-defining work.

Following the success of The Copenhagen Session Vol. 1, hailed by critics worldwide as a vital rediscovery of the late Polish trumpeter Tomasz Stańko, Scandinavian Art Ensemble now presents the second and final chapter: The Copenhagen Session Vol. 2, set for release on November 7th, 2025 on April Records.

Circles Around The Sun returns with “Interludes For The Dead: Volume 2,” ten years since “Interludes For The Dead,” the music that resulted when Neal Casal was asked to create the set-break music for the now-legendary “Fare Thee Well” shows celebrating the Grateful Dead’s 50th anniversary, and assembled a team of musicians now known as Circles Around The Sun.