The project centres around the Eddy Vanoosthuyse's clarinet artistry, showcasing a personalized and immersive musical experience.Embark on a harmonious journey through the rich tapestry of Belgian musical collaborations: "I've been fortunate to collaborate with international talents, and equally blessed to witness the dedication of Belgian composers. Already from a very young age, I was intrigued by the performance of Belgian and Flemish music, and it is the reciprocal connection that would form between myself as a clarinettist, and this Belgian clarinet repertoire. Now, I proudly present the culmination of this musical affinity – the 'Belgian Clarinet Heritage.' Immerse yourself in a unique blend of my clarinet artistry and the captivating compositions that make up this treasured heritage."–Eddy Vanoosthuyse

Although Blondie made several first-rate albums, most of their best songs were released as singles, which makes The Best of Blondie an essential collection. The Best of Blondie glosses over their punk roots – very little from the first album, apart from the vicious "Rip Her to Shreds" and the seductive "In the Flesh" – but the band's pop hits are among the finest of their era and encapsulate all of the virtues of new wave. Apart from genuine chart hits like "Heart of Glass," "One Way or Another," "Dreaming," "Call Me," "Atomic," "The Tide Is High," and "Rapture," Best of Blondie picks up several of the group's best album tracks, like "(I'm Always Touched by Your) Presence, Dear" and "Hanging on the Telephone." The Best of Blondie isn't all you need to know, but it is an excellent introduction to one of the best new wave bands.

Andrey Gugnin presents a wonderful all-Grieg recital, the elegant neo-classicism of From Holberg’s time (a rare and welcome opportunity to hear the original version for solo piano) contrasting with the brooding magnificence of the Ballade. Two complete sets of Lyric Pieces—those most perfect of piano miniatures—are also included.

Music Brokers Presents Lounge Sexiest Ladies, Vol.2 album original hits and the original artists genre Jazz, Blues.

Sony Classical presents Beethoven: The Complete Symphonies in a special box set out on Sony Classical on May 3rd. The release coincides with the 200-year anniversary celebrations of the premiere performance of Beethoven’s Ninth Symphony in early May.

If Rhino's Very Best of the Drifters is a fine R&B snack, then All-Time Greatest Hits & More: 1959-1965 is a three-course gourmet meal with dessert built on the same ingredients. Forget about the higher price and the fact that 40 songs might seem to be more Drifters than most casual listeners would want – All-Time Greatest Hits & More: 1959-1965 is a towering and magnificent collection of some of the best popular R&B ever done this side of Sam Cooke. And, as with Sam Cooke, the beautiful part of the Drifters' work during this period is that any look beyond and behind their hits reveals a lot more songs that were every bit as good as those hits. There's not even a slightly weak track anywhere on All-Time Greatest Hits & More, which contains the biggest hits Ben E. King, Rudy Lewis, and Johnny Moore sang for the group. "There Goes My Baby," "This Magic Moment," "Save the Last Dance for Me," "Sweets for My Sweet," "I Count the Tears," "Some Kind of Wonderful," "Up on the Roof," "On Broadway," and "Under the Boardwalk" are all here, mastered in surprisingly good sound for the late '80s.

Punk Meets Prog on this supercharged tribute album where legnedary punk rock bands add a heavy dose of attitude, authority and anarchy to beloved Pink Floyd songs! Features performances by some of the most widely recognized and heralded veterans of the punk rock movement like Fear, The Vibrators, UK Subs, Dead Boys, Skids, Anti-Nowhere League, The Members and more! All of these tracks are exclusive to this compilation and will be heavily promoted through both social and traditional media!

Such an unimaginative title for such a imaginative boxful. Across four discs and 105 songs, Cliff Richard's earliest catalog comes in for precisely the kind of treatment every rock & roll star should have: an all-encompassing study of his most important period. Even more impressively, though the song titles all sound familiar, the performances rarely are. Thirty-seven tracks are bona fide unreleased (South African 78s notwithstanding), but several dozen more are culled from scarce EP-only mixes, rarely resurfacing B-sides, and unusual mixes.

Cliff Richard Présent dans les hit-parades britanniques depuis six décennies, Cliff Richard est une institution du rock anglais. Né Harry Rodger Webb à Lucknow, en Inde, le 14 octobre 1940, il fait ses débuts dans le rock'n'roll seize ans plus tard avec son premier groupe The Drifters, qui devient The Shadows et collectionne les succès : « Move It », « Livin' Doll », « Bachelor Boy », entre autres. Après un passage en solo, l'idole des jeunes se convertit au christianisme en 1964 et poursuit une carrière multiple de chanteur, acteur et animateur de télévision extrêmement populaire au Royaume-Uni. Doyen du rock britannique en activité depuis 1958, Cliff Richard a logé quatorze chansons au sommet des classements de ventes, dont « We Don't Talk Anymore » (1979) et « Millenium Prayer » (1999). Il continue d'enregistrer des albums entre pop, rock et chansons de Noël. Anobli par la reine Elizabeth II en 2009, Sir Cliff Richard retrouve son groupe historique, The Shadows, pour l'album Reunited. Puis, après un album de blue-eyed soul, Soulicious (2011), le septuagénaire consacre deux volumes au rock'n'roll de sa jeunesse, The Fabulous Rock'N'Roll Songbook (2013) et Just…Fabulous Rock'N'Roll (2016).

The Rolling Stones English rock band formed in London in May 1962. They are one of the longest-lived and most commercially successful groups in rock history. Inducted into the Rock And Roll Hall of Fame in 1989 (Performer).

By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them.

Heaven knows, the Scotsman born Donovan Leitch was ripe for ridicule, even when he was hitting the charts with regularity. He was the ultimate flower child, and his airier pronouncements made cynics want to tighten up those love beads around his neck. Listening to Troubadour, however, it's striking how versatile, melodic, and agreeable most of his material sounds decades after "Mellow Yellow" has faded into a jaundiced yellow. Clearly under the sway of Bob Dylan early on in his career, Donovan nevertheless was capable of directing his reverence into something as enchanting as "Catch the Wind." Amping up as the '60s progressed, he assembled a series of psychedelic-pop classics, including "Season of the Witch," the "Hey Jude"-like sing-along "Atlantis," and the uncharacteristically driving "Hurdy Gurdy Man" (the latter features three-quarters of what was to become Led Zeppelin providing stellar support). This two-disc anthology may be more Donovan than some desire, but the booklet, seven previously unreleased tracks, and expansive perspective it provides makes it a more-than-worthy overview for those who take their paisley folk-rock with a beatific smile.

Though it remains the only Rolling Stones outtakes collection album ever to be officially released, Metamorphosis is one of those albums that has been slighted by almost everyone who has touched it, a problem that lies in its genesis. While both the Stones and former manager Allen Klein agreed that some form of archive release was necessary,

This is for real as far as the hype goes, because this has got to be the most revealing look at the Rolling Stones at work in the studio that has ever surfaced. It's a 4 CD release that comes in a 12" box in a box package with a deluxe color outer sleeve. The cover picture is of a woman who looks to be in some trans-like state from the album cover of the old Capital Records LP "Fire Goddess". There is also a booklet that features many pictures from the August 25, 1994 Rolling Stone issue on the band. The booklet has an essay on Voodoo Lounge by David Fricke from Rolling Stone July 14-28, 1994 issue. There are also track by track details of the band line up, and a listing of basic differences in the recordings from the original releases.

Unexplained Sounds Group exploring the Balkan post industrial scene. Artists coming from Greece, Romania, Turkey, Serbia, Bulgaria, Albania, Slovenia, Macedonia, introduce us to their vision of post industrial music and culture. The perspective of a region where musicians are growing with their own sonic and artistic identity. - Raffaele Pezzella