Producer Anthony Monn parades every effect known to Euro-dream imagery in support of Lear as disco vamp: whispers from inside a tunnel, rhythms that filter in subliminally, themes that scale up to soprano range, choirs of angels singing, guitar rhythm rock-ons, and, of course, Lear's voice. Lear's singing is perhaps Monn's greatest effect: androgynous, sultry, out of reach and horny at the same time, Lear works hard to pretend at playing the merciless siren. She can't properly sing even one note, but what's that got to do with anything?

Mylène Farmer, 86/97 - 26 iconic tracks from France's biggest female star. And for the first time on CD, the studio version of "La poupée qui fait non" as a duet with Khaled.

Return to the heyday of Beatlemania with The Beatles The Broadcast Collection 3-CD Box 62-66. This special box contains historic radio broadcasts and concert recordings from 1962 through 1966, when The Beatles took over the world. From their first breakthrough to their unprecedented worldwide fame, this collection perfectly captures the magic of their early years.

Though it received little attention at the time of its Swedish/Netherlands-only release in 1967, the album “Them Belfast Gypsies” has long been established as a stone-cold classic of rabid British garage punk/R&B.

Tensions were growing within the Velvet Underground following the release of their sophomore album, White Light, White Heat: the group was tired of receiving little recognition for its work, and Lou Reed and John Cale were pulling the group in different directions. The differences showed in the last recording sessions the band had with Cale in 1968: three pop-like songs in Reedx27s direction (Temptation Inside Your Heart, Stephanie Says and x27Beginning to See the Light) and a viola-driven drone in Calex27s direction (Hey Mr. Rain)n Reed told Sterling Morrison and Mo Tucker that Cale was out, and while neither was happy with the idea, faced with a choice of either no Cale or no band at all, the pair reluctantly sided with Reed. Cale played his last show with the Velvets at the Boston Tea Party in September 1968, and was fired shortly afterwards.Before work on their third album started, Cale was replaced by musician Doug Yule, formerly of the Boston group the Grass Menagerie, who had been a close associate of the band.

Iolanda Cristina Gigliotti, professionally known as Dalida, was a French singer and actress, born in Egypt to Italian parents. She won the Miss Egypt beauty contest in 1954 and began a 31-year singing career in 1956, selling 170 million albums and singles worldwide. Dalida earned 45 gold record awards and a pair of platinum records for her sales in Europe, the Middle East, and Japan, and was the first singer to receive a diamond disc.. A superstar in France and much of the rest of Europe, Dalida enjoyed hit records in three different decades.

The best parties are never planned. When friends spontaneously drop by with other people in tow, that you don ́t even know, but will have learned to love by the end of the evening. And everyone contributes to the buffet: a popular classic dish, an unfamiliar delicacy, or a surprising specialty that makes you gasp: `What on earth is that?` with delight. The mood of De-Phazz ́s 17th studio album, with which the band is celebrating it ́s 25th anniversary, is similarly relaxed and joyful. Host and sample scientist Pit Baumgartnern shares Quincy Jones ́ attitude: “When you bring together what does not go together, you can only win.” He combines gritty rock vocals with a church choir, an alphorn (traditional alpine horn) with Ethno-Jazz, enhances new tunes with fragments of retro-sound- elements, thus enabling the exceptional voices to shine even brighter. “Pure moments of joy” are those when the various musical elements intertwine, and Baumgartner realizes: This works!

Return to the heyday of Beatlemania with The Beatles The Broadcast Collection 3-CD Box 62-66. This special box contains historic radio broadcasts and concert recordings from 1962 through 1966, when The Beatles took over the world. From their first breakthrough to their unprecedented worldwide fame, this collection perfectly captures the magic of their early years.

Homespun brings you this live remastered radio broadcast from legendary live act Journey. Captured at New York's Palladium during their Infinity tour, this blistering 1978 performance from the King Biscuit Flower Hour showcases Journey on the cusp of arena-rock domination. With Steve Perry newly onboard, the band radiates fresh energy - blending raw musicianship with soaring vocals that would define a generation. From the fiery opener "Feelin' That Way/Anytime" to the epic power of "Wheel in the Sky," Journey's fusion of progressive rock roots and melodic brilliance is on full display. Guitarist Neal Schon shreds with precision, while Gregg Rolie's keys and Perry's vocals intertwine with electrifying force.

In February 1986, two of rock's most iconic forces collided on stage in a tour that would become the stuff of legend. Homespun brings you the live broadcast from the Sydney Entertainment Centre, documenting the electric chemistry between Bob Dylan and Tom Petty & the Heartbreakers at the peak of their creative powers during the historic True Confessions tour.

Following a self-financed EP named »The Sign« (2021) and the promising debut platter »Paralyzing Chains« for High Roller Records in 2023, Germany’s Sintage are ready to unleash their eagerly awaited new album. It is called »Unbound Triumph« and features second guitarist Chili as a new, additional member of the band. It's predecessor »Paralyzing Chains« received good reviews in all important magazines, so expectations for the new album are quite high. After two years since its original release have passed, how satisfied are Sintage with how their full-length debut turned out? “Pretty satisfied for the most part,” says guitarist Julez. “The record stands for itself and has lost nothing of its power and appeal, the music was full-on all the way through. Looking back, we probably should have paid more attention to details. The album was recorded in a single week. It would have been better, I think now, if we had taken a breather, giving the album more time to mature.”