Lizard - King Crimson's third studio album and second recording of 1970, was, like its predecessor In the Wake of Poseidon, the product of a studio band. iI was also the first Crimson album for which Robert Fripp provided all of the music. Remarkably self-contained and sounding somewhat atypical for a King Crimson album - even by the standards of a band that rarely sounded similar from album to album, Lizard is an often overlooked and under-appreciated gem from their early years. Lizard featured a lighter, more delicate sound than the earlier albums - an approach perhaps necessitated by an extended instrumental lineup. CD/Bluray - The complete recording sessions of Lizard on 1 CD/1Blu-ray Blu-ray features all new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA 24/96 Surround & 24/96 Hi-Res Stereo by Steven Wilson All new Elemental Mixes of the whole album in 24/192 Hi-Res Stereo by David Singleton Blu-ray also features the 30th anniversary remaster in 24/96 Plus the complete recording sessions from September 1970 in 24/48 Presented in a replica mini-vinyl style packaging with booklet including photos and sleevenotes from King Crimson biographer Sid Smith CD includes the 2025 Steven Wilson album mixes and a selection of Elemental Mixes.

20th Century Masters – The Millennium Collection: The Best of Eric Clapton is a compilation album by the British rock musician Eric Clapton. It was released on 15 June 2004, by Polydor Records and is part of Universal's 20th Century Masters – The Millennium Collection series. The compilation album has eleven tracks that Clapton recorded in the 1970s both as a solo artist and with Derek and the Dominos. Glyn Johns produced the album in association with Tom Dowd. Although the release sold 1,366,610 copies in the United States, it has not been certified platinum by the Recording Industry Association of America.

The Best of The Velvet Underground: The Millennium Collection is a compilation album by The Velvet Underground. It was initially released for the North American market by Polydor in October 2000 as part of their "20th Century Masters" series of budget compilations celebrating the turn of the century.

This Trapeze classic has been expanded with two bonus discs, packed with extras. It kicks off with a stereo edit and then a mono edit of the ‘Black Cloud’ single, followed by radio session versions of ‘Makes You Wanna Cry’ and ‘Medusa’. Disc Two finishes with an unreleased live show from the United States in March 1971. Disc Three features a second complete unreleased show from 1971, featuring all but two tracks from the “Medusa” LP.

"Preludio, tema, variazioni, canzona", also known as "Milano Calibro 9", is Osanna's second studio album and was released in 1972 on the Fonit Cetra label. It marks the collaboration between the band and Argentine-Italian film composer Luis Enriquez Bacalov (who had previously worked with the New Trolls) and was conceived as the score for the film "Milano Calibro 9". Director Fernando Di Leo was very impressed by the album "Concerto Grosso per i New Trolls" and asked Luis Bacalov to compose the soundtrack for his film "Milano Calibro 9" in the same style. Osanna were chosen to perform the score interacting with an orchestra and, according to an interview with Lino Vairetti, they recorded the music while watching the film on a screen in a theatre and for them this was really a new exciting experience…

This live album features a concert by Jethro Tull on March 16, 1985 in Berlin as one of the main events of the "300th Anniversary of the Birth of J.S. Bach" event. This is the only Jethro Tull concert of the year, as he had not toured since he had not released any albums during this period. The concert is the only one from that year, and features a special guest appearance by Eddie Jobson, formerly of U.K., who participated in the 1980 album "A" and also toured with Jethro Tull. The concert was recorded and broadcast by the German TV station WDR. This is a live album from the sound sources used for the broadcast, and includes the complete concert including cover numbers and Bach pieces. The five members are Ian Anderson and his friend Martin Barr, drummer Dawn Perry, who was with the band from 1984 until the band stopped playing, Dave Pegg, who has been with Jethro Tull the longest on bass, and guest player Eddie Jobson, formerly of Carved Air - U.K. Eddie Jobson. Eddie Jobson plays a gorgeous violin solo on a Bach piece.This is a special concert with a different set list from the "A Tour" held in 1980, and is now available on CD! Imported Japanese edition with Japanese obi, English booklet and bilingual booklet＞Ian Anderson (vo, g, fl)Martin Barr (g)Dave Pegg (b)Dawn Perry (ds)Eddie Jobson (vn, kbds)

Who Are You is the eighth studio album by the English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and on 21 August 1978 by MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US Billboard 200 chart and number 6 on the UK Albums Chart. Who Are You was the Who's final studio album to feature Keith Moon as their drummer. He died three weeks after it was released. The uncannily coincidental nature of the text "Not to Be Taken Away" that was stenciled on Moon's chair on the album cover was noted by some critics. On 31 October 2025, a 7CD & 1 Blu-Ray disc boxed set was released which includes unreleased Glyn Johns mixes and rehearsals, the original stereo mixes plus new stereo, Dolby Atmos and 5.1 mixes by Steven Wilson. A separate, standalone, limited edition release by Superdeluxe Edition on blu-ray also includes the original and Steven Wilson mixes plus instrumental mixes also by Steven.

Like its predecessor in 1994's Recurring Dreams of the Urban Myth, Wireless draws from the urban environment in assembling dense, disorganized soundscapes of subtle beauty. Unfolding slowly over the course of an hour, Wireless, as its name suggests, utilizes radio waves in combination with treated electronics, with results closer in feel to electro-acoustic experimentalists such as Carl Stone and Morton Subotnick than the warm, often more active ambient the Fax label is known for.

Torna Giorgia dopo l'uscita dell'ultimo singolo “Golpe" annunciando il suo nuovo album, intitolato “G”, in uscita il 7 novembre e già disponibile in preorder nelle versioni LP nero 180 gr. e CD. Un progetto che include brani inediti e altri già noti, come il singolo “La Cura per Me”, successo di Sanremo già certificato disco di PLATINO, che ha dominato le classifiche radio e streaming per 12 settimane consecutive, superando i 130 milioni di stream audio e video.

Everybody Scream is the sixth studio album by English indie rock band Florence and the Machine, released on 31 October 2025 through Polydor and Republic Records. It is their first album in three years, following their 2022 album Dance Fever. The album, which follows on from 2022's Dance Fever, was created during and inspired by a time of healing and discovering the body's limits for Welch, who underwent life-saving surgery during 2023's Dance Fever Tour. Because of this, Welch told Zane Lowe during an interview that she feels Everybody Scream is her most personal Florence and the Machine album to date. She also mentioned the project's title coming from the idea of celebratory screaming and her exploration of why people would be screaming and the emotions and reasons associated with such a physical and emotional act.

Bryan Adams is back with his highly anticipated second "Live at the Royal Albert Hall" box set, capturing full performances of three of his legendary albums: Reckless, 18 'Til I Die, and So Happy It Hurts. This collection showcases the electrifying energy of three sold-out concerts at London's historic Royal Albert Hall in May 2024. Available in both 3-CD and 4-LP formats, the box set includes 36 songs and a Blu-ray featuring all three concert films. It also comes with a 32-page photo book filled with exclusive images from the shows. Each film is directed by Grammy Award-winning filmmaker Dick Carruthers, renowned for his incredible concert cinematography.

From the concerts "John Fogerty's All-Stars, Chaplin Stage, Hollywood, CA, 5-31-1985" and from the "Henry J. Kaiser Auditorium 26-11-1989" As the singer/songwriter and guitarist for Creedence Clearwater Revival, John Fogerty created a monumental and mythic American music. Drawing equally from rockabilly, country, and blues, Fogerty developed a distinctive brand of rock & roll and a formidable songbook. After CCR split in 1972, Fogerty didn't run away from that sound, but he avoided the band's hits due to a legal dispute with his former record label. "The Old Man Down the Road," the hit single that kicked off Fogerty's successful solo career, arrived in 1985, a full decade after his last hit, but the song and its accompanying Centerfield album pushed him back into the spotlight. He remained a force on record and on the road, where he eventually worked old CCR tunes into his set lists.

With this album, Trio Fibonacci takes us on a journey through the meditative and deeply human universe of Ludovico Einaudi, a master of contemporary minimalism. His works, built around repetitive motifs and subtle harmonic variations, open up a space for contemplation and pure emotion. Many of the pieces presented here have been specially adapted by Trio Fibonacci for duo or trio, bringing new vibrancy and emotional depth to the music while remaining true to the spirit of the composer.

"The Doraemons - In the Court of the Crimson King (2025)" is a recent album released by the artist "The Doraemons" on October 20, 2025. It is a 42-minute, 5-song album that includes tracks like "21st Century Schizoid Man" and "The Court Of The Crimson King". The title is a reference to the 1969 album by the progressive rock band King Crimson.

The Spanish star finds her muse in theology books: “This is maximalism.” For ROSALÍA, her fourth full-length album LUX only has “little pieces” of her in the lyrics of its songs—and she prefers it that way. “I think the best fiction has this blurry line, the sweet spot between what’s personal and what’s universal, what’s detailed and what’s abstract, what’s implicit and what’s explicit,” the Spanish star tells Apple Music. “It’s both. Because I wrote it, there has to be some sort of truth for me in it. But at the same time, I think it’s much more about the other than about myself.”