Frontiers Music Srl is pleased to announce the signing of Tarmat, an exciting new AOR/Melodic Rock band hailing from Niterói, Brazil, for the release of debut album "Out Of The Blue" on December 9, 2022. Alexandre Daumerie (vocals), Eduardo Marcolino (guitars), Gabriel Aquino (keyboards) and José Marcus (bass) formed the band mid-2020 during the early stages of the global pandemic.

In the last years of his life, Franck created three chamber music masterpieces: the Violin Sonata, the Piano Quintet, and this String Quartet. Only the Violin Sonata has achieved a full measure of popularity, and this string quartet is virtually unknown, largely because of its ambitious length and difficulty in performance. It's a terrific piece of music employing the composer's trademark cyclical form: the movements share tunes, and the finale acts as a sort of summing up of the entire work. While challenging to the performers, there's nothing difficult about it for the listener, and this performance is just about the only show in town. Fortunately, it's a very good one. –David Hurwitz

Bent Sørensen’s quietly spoken universe incorporates loneliness, nostalgia and a feeling of loss and leave-taking. Of the works on this album, his triple concerto, L’Isola della Città (2015), has a purity that makes it one of the composer’s most immediate and gripping orchestral works. His dramatic Second Symphony (2019) dives into the resonance of music’s classical history, where every sound is considered with the greatest care and refinement.

Pomponio Nenna performed his musical activity mainly between Naples and Rome. The first printed edition of the Christmas Responsory dates back to 1607 and gives a precise idea of Nenna's stylistic elevation, highlighting the wise and sophisticated skill he had achieved in the counterpoint technique; this is evident in the fluid and casual way the single melodic lines relate to each other and, at the same time, vertically overlap in sometimes daring harmony, fully accepting the characteristic of an era that was passing from the modal world to the tonal one. The source for performing and recording the present album is the original print of the work stored in the Library of the Conservatory of S.Pietro a Majella in Naples.

The origins of The Roads has us returning to Escape Music and Khalil Turk's Turkish Delight album. Turk need some guitar work for the song Get Out Of Hear, so he contacted Gary Pihl (Boston/Sammy Hagar). Pihl wanted to play with the groove but needed a drummer so, in turn, Turk offered Josh Devine (One Direction, Levara). This led to Pihl wondering who the vocalist for the song was. It turned out to be Josh's father, Mick from the band Seven. Turk, who has the gift of both recognizing talent and musical chemistry put Pihl and Mick on to a collaboration, and The Roads was born.

Although the band Anathema has since gone down a much more atmospheric and melodic route with their music, it's important to note that the group began as one of the pioneers of death doom metal, a style of music similar in its melancholic feeling to what Anathema has done more recently, but much heavier and darker in the one it is executed. With a few demos and this debut 'Serenades', Anathema would be setting the groundwork for a style that has since become much more popular by the likes of bands like Swallow the Sun. Although 'Serenades' is a classic work for its development in that doom metal sound, it is an incredibly hit-or-miss ordeal throughout, and may be better appreciated for its place in history than as a listening experience of its own.

LaMarca is the brainchild of soul singer Abe Lamarca, who began his singing career in the 1970s, before moving to Los Angeles singing demos and working for songwriters before Scottie Bros/CBS Records released his debut album “LaMarca”. It was a solo endeavor that found this soul lover singing some catchy pop songs, a few of which made it to the big screen, most notably, ‘Hold on Blue Eyes’ from the movie ‘The Wraith’ starring Charlie Sheen. He devoted most of the 90’s to raising his kids in Cleveland and singing radio jingles and T.V. commercials.

Holly Cole's debut recording is a delight. Although she infuses a variety of standards with sensuality (including "If I Were a Bell," "On the Street Where You Live," "Honeysuckle Rose" and "I'll Be Seeing You"), she is also clearly laughing at her image at the same time. Joined by pianist Aaron Davis and bassist David Piltch with guest appearances by violinist Johnny Frigo (on two songs) and bass clarinetist Robert Stevenson (for one), Cole's interpretations of the mostly veteran material are both haunting and ironic, making this a memorable and surprisingly original outing.